Chick Lit comes of age
Stop the
Clock is the debut novel by Alison Mercer, and tells the story of three
university friends, Lucy, Tina and Natalie. With the certainty of youth, they
each know what they want out of life, and ten years on, when the story really
gets going, they appear to have it – Lucy has an apparently happy marriage, two
children and a perfect home; Natalie is married to the boyfriend she’s dated
since college, and is pregnant; Tina is living the single life (with a secret
affair on the side) and has a byline in a national newspaper, just as she
had always hoped. But, as the story goes on
to explore, having what you wanted isn’t necessarily what you thought it would
be...
It’s an
engaging story, and a quick read – the sort where you feel deeply irritated to
have to abandon it in order to make meals for your children, or go to the playground
– but that’s not to say it’s flighty. It’s got a lot more to it than the sort
of frothy high-heels-and-confetti novels that first gave chick-lit its name
(and status). It’s not a simple romance, it’s about what happens after that.
And it’s not all tied up neatly at the end, because life’s not like that. It
also deals unflinchingly with childbirth, which is surprisingly rare in fiction given how
many women go through it, and how willing most mothers are to share their birth
stories with each other. It’s a brutal portrayal of hospital obstetrics [...Tina
cried out, ‘Help me! Help me!’ and the doctor said, ‘Yes I think we will help
you,’ and selected a pair of scissors and cut Tina open...] and doesn’t shy away
from the effects of motherhood on a woman’s life, physique and perspective.
Most of
all, it’s about the sisterhood of good friendships, and what that bond can
sustain; the narrative moves fluently from one character to another so that you
see all three of them responding to circumstances in their own way. It’s a wonderful
heart-warming story of women living life, and dealing with what is thrown at
them. Oh, and it’s funny too. Highly recommended!
Alison has written an article in the Guardian about the birth scenes: you can read her article here.
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